Calvaire Limited Edition

Category: Blu-Ray

SOME PEOPLE WOULD KILL FOR COMPANYIn the early 21st century, as European art and horror films began to push the boundaries of extremity and endurance, Calvaire emerged as one of the standout entries. A shattering debut from Belgian director Fabrice Du Welz, Calvaire’s ability to subvert genre and wrong-foot its audience marked the arrival of a major new talent.Travelling cabaret singer Marc Stevens (Laurent Lucas) finds himself stranded when his van breaks down in a remote mountain region in France, but is rescued by local innkeeper Mr. Bartel (Jackie Berroyer) who offers to help Marc fix his van and give him shelter for the night. But Bartel is fragile and unstable, and Marc reminds him of his long lost wife. Soon, Bartel is refusing to let Marc leave. With his van sabotaged and no means of calling for help, Marc’s ordeal is about to begin…A terrifying, darkly comic tale that drew comparisons to Deliverance, Straw Dogs and The Texas Chain Saw Massacre, Calvaire is a gripping, utterly involving thriller that will put you through the wringer.LIMITED EDITION CONTENTSHigh Definition (1080p) Blu-ray presentationOriginal DTS-HD MA 5.1 surround and lossless stereo audioOptional English subtitlesArchive audio commentary by director Fabrice Du Welz (2005)Archive audio commentary by Fabrice Du Welz and production designer Manu de Meulemeester (2023)Brand new audio commentary by film critics BJ and Harmony ColangeloIntroduction by director Fabrice Du Welz2005 and 2023 archive interviews with Fabrice Du WelzThe Feminine Mystique of Calvaire, a brand new appreciation by film scholar Willow Catelyn MaclayAutour de Calvaire, an archive making-of featurette previously unreleased in English speaking territoriesTheatrical Grade versionStoryboard-to-scene comparisonsCasting tapesProduction bibleA Wonderful Love, a short film by Fabrice Du WelzTrailersImage galleriesReversible sleeve featuring original and newly commissioned artwork by John PearsonCollectors’ booklet featuring new writing by film scholars Anton Bitel, Simon Hobbs, Cerise Howard, and Alexandra Heller-Nicholas